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  The Chrysalides of Being By Abdel Hernandez San Juan Essays in phenomenological anthropology Writings in theoretical research Western through   Stablished living in Texas as permanent resident since 1998 Abdel Hernandez San Juan is a theoretician in the hard science working epistemology, phenomenology and hermeneutic with a research focused in the analytical philosophy of science, sociology and cultural anthropology, a well know national and international theoretician, writer and ethnographer in the united states field of sociology and anthropology northern American academic world as well as in Venezuela.         He is essentially an independent author, theoretician and writer of successful literary works books of theory such as Rethinking Urban Anthropology, Anthropology of archaeology: A Perspective from Ethnometodology and cultural anthropology, The Intramundane Horizont: Hermeneutic and Phenomenology of Everyday Life, Being and Monad, Self and Ac...

The crysalide of being

The Chrysalides of Being ©By Abdel Hernandez San Juan Written, conceived, composed and created in English  by Abdel Hernandez San Juan    When Hegel committed to define and discuss his science of logic, he started it by asking about if science should have a beginning and how can be defined such a beginning, and when he response himself to stablish it the objective logic of being appeared as it.    The reason to stablish being as the beginning of science was related with how in being coincidence something that seems to be by itself a samennes ontology or Inmanence which simply occur in coincidence with itself without yet an exteriorization of it while paradoxically that impression can only be feel and recognized by a subject.   Being itself consist precisely in the impression of it by a subject who feeling to be inside himself or outside, creates in awareness, reflected feelings, the appearing of being. By this reason, the beginning of science in being revol...

The phenomenic

  The Phenomenic ©By Abdel Hernandez San Juan      It is not sufficient for us to say that a form have a sense, a center of evidence, or to assume that the essence of a form is given to us as it, we truly can’t disassociate the concept of form from the concepts of sense and appearing because only a form can have an essence and only a form presents itself as it is, eidos and morphe, something that brings us to presence as a general theme, to what let us to be seen and think. Thought and phenomenology is always a thought of being as form, in a form a thought can think on itself as form and as formality of form and a final last sign of what Hurssel determined and defined a alive present (El Presente Vivo), --lebendige Gegenwart.      Alive present is the ultimate, universal and absolute form of the transcendental experience in general Jacques Derrida, Form and Wishes to Say, Notes on the Phenomenology of Language    Written in English and transl...

The presentational linguistic

  The Presentational Linguistic ©By Abdel Hernandez San Juan    The privilege of the present, Gegenwart predomine yet Parmenides poetry, Legein, noein, the present under the form of persistence and permanenships, something nearly, accessible, available, affordable by the gaze Vorhandenheit, a presence presenting, apprehended in legein and noein according to a process to which a temporal structure is a pure presentation, maintenance, reinen: Gegenwarttigens, the one who exist, the existent only shows itself in presentation, explained and comprehended by a present, captured as presence in the present of a pure presentation, as ousia Jacques Derrida, Ousia and Gramme     Written in English and translated to English  by Abdel Hernandez San Juan    In the world we are living in everything is presentation. Long time ago, in introducing persons to persons, books to readers and art works to collectors, presentation was a mise in scene, today, however...

The eclipse of the eye

The Eclipse of the Eye ©By Abdel Hernandez San Juan Written, conceived, composed and created in English  by Abdel Hernandez San Juan    When Aristoteles, a major classical philosopher to us in art since fine arts begins from the very beginning with obligatory ancient Grieg’s, defined to discuss his logical tractactus there was not yet a clear, well defined distinction between subject and predicament as a sentence matter, the subject which was in fact already considered in Aristoteles logics, was still considered as a function of syllogisms, to ancient Grieg’s logic and logical analysis in general, was related with and subordinated to yet a sense of congruency that was not much being comprehended within a formal and structural abstraction of languages, but by common sense derivations from logics of affirmative and negative assertions.    If A supposes to go all the way to his house, there is a way to his house. A may be then be a person because usually only perso...